PRACTICE
Her projects investigate how ecological and cultural histories persist within sites, often in forms that are invisible, buried, or erased. Rather than representing these conditions, she creates environments in which they become perceptible through the body. Sensory atmospheres and spatial choreography operate together, allowing meaning to emerge through attention, duration, and shared experience.
METHODS
Scent plays a central role in her practice because of its intimate relationship to memory, emotion, and bodily awareness. Smell operates before language and resists visual hierarchy. It requires closeness and attention, and it unfolds over time rather than at a glance.
In her work, scent functions as an environmental medium rather than an aroma or object. It shapes atmosphere, orientation, and movement through space, allowing ecological and cultural registers, such as labor, decay, ritual, and transformation, to coexist without resolving into a single narrative.
This makes scent a spatial tool, one that activates perception and situates the body within an environment rather than representing it from a distance.
PRESENTED AT
AVAILABILITY
- Site-responsive olfactory installations
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Scent design for exhibitions and cultural institutions
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Experiential design
- Consultations related to sensory and spatial experience
For commissions, collaborations, or inquiries, please use the contact link.